Octavia McBride-Ahebee: African Films To Be Shown at the Philadelphia African-American Museum

Tuesday, July 10, 2012

African Films To Be Shown at the Philadelphia African-American Museum

One of the most exiting events in West Africa happens every two years in Burkina Faso. It’s FESPACO ; the preeminent PanAfrican Film Festival. People locally and around world have been making and continue to make quality, relevant and life-affirming films. As I was sharing with a friend, we don’t have to limit ourselves to what is presented in mainstream movie theaters. Branch out, attend film festivals, and actively learn that there are other voices in this world other than “Hollywood’s”.

I’m thrilled that the Philadelphia African-American Museum will host the showing of several African produced films. Here is a link to learn the details: http://aampmuseum.org/demo_dev.php/page/july-august

Below is a link to photographs by Andrea Frazzeta of the 2011 FESPACO. This is an international event, but I like how she shows in these shots the local angle and involvement of everyday folk. Enjoy and go in 2013.

http://www.nytimes.com/interactive/2011/05/01/magazine/look-african-film-festival.html?ref=magazine

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"You and I" by Malak Mattar

One of Philadelphia’s brightest culinary treasures, the Southeast Asian Market at FDR Park

June 19, 2024 Collage as a Form of Resistance-At the Bok Bar /Philadelphia Celebrates Juneteenth

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U-M anthropologist uses toe tags to highlight crisis at US-Mexico border

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Leeway Foundation

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Where My Birthmark Dances is now available on Amazon

What's being said about Where My Birthmark Dances ?

The Ancient Romans used to call a person's creative spirit her "genius," and recognized the labor of setting it free as one of love and sacrifice. Octavia McBride-Ahebee's latest collection is just such a labor. Her poems depict human longing, love and dignity in the context of global inequality with fierce, uncompromising grace. As her characters speak, she creates indelible sensory images of loveliness and affection, profound misery and anger, letting each co-exist on the page. The resulting complexity of tone makes space for nuanced and compelling human voices that might otherwise be categorized as "victims" or "villains" of oppression. It takes the full use of genius to notice and capture these contradictions, and a deep social conscience to care so passionately about writing them down. This collection is one of McBride-Ahebee's "bighearted magnolia trees," its trunk scarred by the fire of sacrifice, its blossoms and branches so beautiful you don't want to leave their shade.

-Lillian Dunn, Editor of Apiary Literary Journal

Octavia McBride-Ahebee

Words without Borders; The Home of International Literature

Tuesday, July 10, 2012

African Films To Be Shown at the Philadelphia African-American Museum

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