Octavia McBride-Ahebee: Yo-Yo Ma and Charles Riley-Now This is Poetry in Motion!

Tuesday, April 19, 2011

Yo-Yo Ma and Charles Riley-Now This is Poetry in Motion!

Source: ColorLines; News For Action http://colorlines.com/archives/2011/04/love_for_street_dancing_modern_music_and_inner-city_youth.html

by Thoai Lu

Celebrate Love
April 14, 2011

An audience of over 100 grade school students at Los Angeles’s Inner City Arts got a big treat recently when world famous cellist Yo-Yo Ma teamed up with locally-based dancer Charles Riley for a rendition of “The Dying Swan.” In the performance, Ma uses his high-brow style of performance to provide the soundtrack for Riley’s style of interpretive urban dance. The two offered up their talents in order to highlight the need for more government-sponsored arts programs. You can see the whole thing in the video that’s above.
Ma, a Presidential Media of Freedom Award Recipient, is already world renowned. But LA-based Charles Riley, known by his stage name Lil’ Buck, is just starting to make a name on the national scene. The twenty-two-year old is the 2011 Vail International Dance Festival’s Artist-in-Residence and does a style of dance known as “jookin’”, which originated in his hometown of Memphis, Tennessee. He also taught the kids how a Michael Jackson-style moonwalk as Ma played Jackson’s “Billie Jean.”

“All the things that they talk about these days, with where our country is going — we need an innovative and knowledge work force,” Ma told Southern California Public Radio. “The best way to build innovation and creative imagination - and the most efficient way to do it - is actually by movement, visualizing, sound.”

“We can build community like nothing else,” Ma continued. “All it takes is imagination, attention and empathy — that we care.”

We’re ending the day as often as possible by celebrating love. We welcome your ideas for posts. Send suggestions to submissions@colorlines.com, and be sure to put Celebrate Love in the subject line. You can send links to videos, graphics, photos, quotes, whatever. Or just chime in to the comments below and we’ll find you. Be sure to let us know you’ve got the rights to share any media you send.

To see other Love posts visit our Celebrate Love page.

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"You and I" by Malak Mattar

One of Philadelphia’s brightest culinary treasures, the Southeast Asian Market at FDR Park

June 19, 2024 Collage as a Form of Resistance-At the Bok Bar /Philadelphia Celebrates Juneteenth

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Now until July 14, 2024 /Joyce J. Scott-50-Year Retrospective at BAM

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Mr. Labillois' Artist Statement: I donated this to the Montreal Native Women's Shelter to raise awareness of missing and murdered Native women in Canada. I hoped sharing it with others would bring this issue to the minds of many people, and hope that many of our sisters, mothers, aunts or daughters will never be forgotten. The idea for the title came from my little sister who said, "Dancers dance for those who cannot, the sick, the elders, and those who are gone. It's like all those women are still dancing thru her." * 2020 Collective vision.us - Postcards for Political Action; Click image to learn more.

March 9, 2020 7:30 p.m./ Maira Kalman | The Autobiography of Alice B. Toklas Illustrated

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Wed, March 11, 2020 7:30 p.m.- James McBride Free Library/Central Branch

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Raquel Salas Rivera

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Leeway Foundation

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Where My Birthmark Dances is now available on Amazon

What's being said about Where My Birthmark Dances ?

The Ancient Romans used to call a person's creative spirit her "genius," and recognized the labor of setting it free as one of love and sacrifice. Octavia McBride-Ahebee's latest collection is just such a labor. Her poems depict human longing, love and dignity in the context of global inequality with fierce, uncompromising grace. As her characters speak, she creates indelible sensory images of loveliness and affection, profound misery and anger, letting each co-exist on the page. The resulting complexity of tone makes space for nuanced and compelling human voices that might otherwise be categorized as "victims" or "villains" of oppression. It takes the full use of genius to notice and capture these contradictions, and a deep social conscience to care so passionately about writing them down. This collection is one of McBride-Ahebee's "bighearted magnolia trees," its trunk scarred by the fire of sacrifice, its blossoms and branches so beautiful you don't want to leave their shade.

-Lillian Dunn, Editor of Apiary Literary Journal

Octavia McBride-Ahebee

Words without Borders; The Home of International Literature

Tuesday, April 19, 2011

Yo-Yo Ma and Charles Riley-Now This is Poetry in Motion!

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