Octavia McBride-Ahebee: Festival of Films From the Middle East

Monday, October 29, 2012

Festival of Films From the Middle East

Asghar Farhadi's thrilling domestic drama from Iran offers acute insights into human motivations and behavior as well as a compelling look at what goes on behind a particular curtain that almost never gets raised. -Kenneth Turan, Los Angeles Times Film Critic/ This film won the 2012 Academy Award for Best Foreign Language Film

The Cinema Studies Program, the Jewish Studies Program, the Middle East Center, and the Near Eastern Languages & Civilizations Department at the University of Pennsylvania, in collaboration with the Philadelphia Jewish Film Festival, present the 2012 edition of New Middle East Cinema.

This four-day festival has been curated by Blake Atwood (Penn, NELC), Mehmet Darakcıoglu (Penn, MEC), Iris Drechsler (PJFF), Nicola M. Gentili (Penn, CINE) and Nili Gold (Penn, NELC), and aims to further the understanding of current Middle Eastern societies and cultures through cinema.

Recently released feature films, which represent a number of countries in the region, have been selected as the best to be presented and discussed on the Philadelphia screen.

This festival is free-admission and open to all!

Here is a link to the festival schedule: http://cinemastudies.sas.upenn.edu/events/2012/October/FilmFestivalNewMiddleEastCinemaDay1

* Source- Penn Arts & Sciences Cinema Studies

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A 106-year-old from the Philippines is Vogue's oldest ever cover model

Still Dancing by Johnathan Labillois

Mr. Labillois' Artist Statement: I donated this to the Montreal Native Women's Shelter to raise awareness of missing and murdered Native women in Canada. I hoped sharing it with others would bring this issue to the minds of many people, and hope that many of our sisters, mothers, aunts or daughters will never be forgotten. The idea for the title came from my little sister who said, "Dancers dance for those who cannot, the sick, the elders, and those who are gone. It's like all those women are still dancing thru her." * 2020 Collective vision.us - Postcards for Political Action; Click image to learn more.

March 9, 2020 7:30 p.m./ Maira Kalman | The Autobiography of Alice B. Toklas Illustrated

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Wed, March 11, 2020 7:30 p.m.- James McBride Free Library/Central Branch

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Wed, March 11, 2020 6:00 p.m. One Book, Many Voices Community Dinner

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Curtis Institute of Music Student Recitals-Mon., Wed., & Thu/Free

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Raquel Salas Rivera

Written in response the PROMESA bill (Puerto Rico Oversight, Management, and Economic Stability Act) bill, lo terciario/the tertiary offers a decolonial queer critique and reconsideration of Marx. The book’s titles come from Pedro Scaron’s, El Capital, the 1976 translation of Karl Marx’s classic. Published by Siglo Veintiuno Editores, this translation was commonly used by the Puerto Rican left as part of political formation programs. Lo terciario/the tertiary places this text in relation to the Puerto Rican debt crisis, forcing readers to reconsider old questions when facing colonialism’s newest horrors-Colette Arrand, author of Hold Me Gorilla Monsoon

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Hedgebrook; Women Authoring Change

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Where My Birthmark Dances is now available on Amazon

What's being said about Where My Birthmark Dances ?

The Ancient Romans used to call a person's creative spirit her "genius," and recognized the labor of setting it free as one of love and sacrifice. Octavia McBride-Ahebee's latest collection is just such a labor. Her poems depict human longing, love and dignity in the context of global inequality with fierce, uncompromising grace. As her characters speak, she creates indelible sensory images of loveliness and affection, profound misery and anger, letting each co-exist on the page. The resulting complexity of tone makes space for nuanced and compelling human voices that might otherwise be categorized as "victims" or "villains" of oppression. It takes the full use of genius to notice and capture these contradictions, and a deep social conscience to care so passionately about writing them down. This collection is one of McBride-Ahebee's "bighearted magnolia trees," its trunk scarred by the fire of sacrifice, its blossoms and branches so beautiful you don't want to leave their shade.

-Lillian Dunn, Editor of Apiary Literary Journal

Octavia McBride-Ahebee

Words without Borders; The Home of International Literature

Monday, October 29, 2012

Festival of Films From the Middle East

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