Octavia McBride-Ahebee: An Economy of Grace; Kehinde Wiley Paints African-American Women

Thursday, May 3, 2012

An Economy of Grace; Kehinde Wiley Paints African-American Women

Kehinde Wiley, Dacia Carter, 2012
Photo: Courtesy of Sean Kelly Gallery, New York

You all know I am a wild fan of the work of Kehinde Wiley, who until now had pretty much exclusively painted these larger-than-life portraits of Black men from around the world. Now he is painting African-American women and doing so from his studio in Beijing. My brother is so worldly! Here’s a link to learn more about this project and where you can see these amazing paintings.

http://www.vogue.com/vogue-daily/article/the-art-of-fashion-kehinde-wiley-joins-forces-with-riccardo-tisci-for-his-latest-exhibit/

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Chelsea CookMay 14, 2012 at 10:40 AM
OMG AMAZING! I go to LaGuardia High School and my end of the year project will be on him! I decided to go more in depth and present his amazing artwork to my class. I'm so excited!
- Chelsea Cook
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A 106-year-old from the Philippines is Vogue's oldest ever cover model

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What's being said about Where My Birthmark Dances ?

The Ancient Romans used to call a person's creative spirit her "genius," and recognized the labor of setting it free as one of love and sacrifice. Octavia McBride-Ahebee's latest collection is just such a labor. Her poems depict human longing, love and dignity in the context of global inequality with fierce, uncompromising grace. As her characters speak, she creates indelible sensory images of loveliness and affection, profound misery and anger, letting each co-exist on the page. The resulting complexity of tone makes space for nuanced and compelling human voices that might otherwise be categorized as "victims" or "villains" of oppression. It takes the full use of genius to notice and capture these contradictions, and a deep social conscience to care so passionately about writing them down. This collection is one of McBride-Ahebee's "bighearted magnolia trees," its trunk scarred by the fire of sacrifice, its blossoms and branches so beautiful you don't want to leave their shade.

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Octavia McBride-Ahebee

Words without Borders; The Home of International Literature

Thursday, May 3, 2012

An Economy of Grace; Kehinde Wiley Paints African-American Women

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