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More than an image, this self-portrait of Patsy, is a testament to a life devoted to books, ideas, and community. |
Eyes on the World; A Blog about Ideas and the Arts------- *Viewing on your phone? Tap ‘View Web Version’ below for full layout and features.
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More than an image, this self-portrait of Patsy, is a testament to a life devoted to books, ideas, and community. |
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With Phyllis, in Philipsburg, PA, standing in solidarity with hundreds of protesters just a few miles from the Moshannon ICE Detention Center. |
Our journey was organized by Reclaim Philadelphia, a grassroots community organization working to build political power for everyday people. While the trip was long, the purpose was urgent: to stand in solidarity with those ICE has locked away, and to say loudly that they are not forgotten.
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Many ICE detainees have lived and worked legally in the U.S. African migrants , like our friend Haj, are being seized during their annual check-ins. |
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Phyllis speaks to a reporter, sharing how African migrants, many who live and work in our Philadelphia communities, are being disappeared by ICE. |
For us, this fight is personal. As elder Black women, we carry the lived experience of knowing the “push factors” that propel migration. My paternal grandfather fled racial terror in South Carolina after the lynching of Anthony Crawford in 1916. He was very much a part of the Great Migration that brought millions of Black people north. Phyllis and I also come from a community devastated by mass incarceration, where generations of neighbors have known the pain of confinement and separation. These histories have made us deeply sympathetic to the plight of asylum seekers like Haj.
Too often, the public face of opposition to ICE detention is not people like us. But here we are, compelled by memory and solidarity.
Just a few weeks ago, the Germantown community rose up in defense of another detained neighbor, longtime resident and business owner Anou Vongbandith, also being held at Moshannon. Hundreds of his neighbors packed the streets demanding his release. Their outpouring of love was powerful.
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A supporter of Anou Vongbandith holds a sign calling for his release and return to his community. |
But Phyllis and I knew there were others at Moshannon whose stories rarely reach the public eye: West African men, many French-speaking or speakers of Indigenous languages, who feel abandoned and forgotten. ICE is woefully unequipped to provide interpreters for these detainees, leaving them further isolated. Families often fear sending money or making contact, worried that any link to their loved one will bring ICE scrutiny on themselves.
So we try, in our own ways, to bridge the gap. We participate in Drexel University’s Inside/Outside Prison Letter Writing Project, where dozens of students recently wrote letters of encouragement to Haj and his fellow African detainees. When Haj called to tell me he had received the letters, he sounded like a giddy child, thrilled that someone had remembered him. In turn, when we or others send money for his commissary, Haj shares it with fellow detainees who receive nothing from the outside.
Haj’s story is emblematic of the injustice of this system. Before his detention, he was a worker in a University City restaurant, where he had once served at a fundraiser hosted by Reclaim Philadelphia. It was an event featuring speakers like District Attorney Larry Krasner. Haj was moved by the gathering, its inclusivity, and its vision for justice. He longed to participate in such civic life himself. Instead, during his annual ICE check-in, an appointment he had attended faithfully each year while legally living and working in the U.S., he was suddenly detained.
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This sign reflects the urgency and moral weight of this struggle. |
He is seeking protection from Mauritania, where dark-skinned Africans remain oppressed by a light-skinned Arab-Berber elite, trapped in a hierarchy that has denied them freedom for generations. Though slavery was officially abolished in 1981, it continues in practice, and those who resist face persecution.
After Saturday’s rally, Haj called me while we were boarding the bus to return home. The bus of protestors shouted to Haj, who was juts a few miles from where our bus was parked, “We are with you,” they told him, joining the voices of State Representative Christopher Rabb and Reclaim leaders Seth Anderson-Oberman and Jayson Massey, who helped to organize and participated in Sunday’s protest.
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A protester in Philipsburg reminds us that migration is human, not a crime. |
We came home exhausted, but with renewed conviction. Standing with detainees like Haj is not charity. It is solidarity, rooted in our own histories of forced migration and incarceration. And we will keep showing up until justice is won.
We have also started a GoFundMe campaign to raise funds for his legal defense. Donations go directly to his lawyer and are being used to hire an asylum expert, cover translation of official documents from Mauritania, and pay for filings and other case-related expenses.
To learn more and to contribute to Haj’s legal defense, please visit the GoFundMe page:
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Me and my mom, Sallie — my first teacher in radical generosity. |
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*Also check out the art work of SBrownART on Etsy |
*Support the GoFundMe campaign!
Update & Call to Action
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Nnamdi Azikiwe arrived in the United States in 1925 and earned bachelor’s and master’s degrees from Lincoln University by 1930. |
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My dad, the best dad, Theodore McBride, me and little Sojourner, in 1999, visiting the Basilica of Our Lady of Peace, in Yamoussoukro, Cote d'Ivoire. |
A question I often hear is: Why are immigrants and asylum seekers coming here? Many assume it’s only for financial or economic gain. But the reality is far more complex—and far more urgent. People flee not just for opportunity, but for survival. They flee violence, persecution, and systems that crush human dignity.
I understand this deeply, because my compassion comes from my ancestors who themselves were forced to make such choices. One of the push factors that drove my paternal grandfather, James Marshall McBride, Sr., to leave his home in Abbeville, South Carolina, was the 1916 lynching of Anthony Crawford, a substantial Black landowner like my great-grandfather. My grandfather was just 19 when he fled his family’s land and eventually made his way to Philadelphia.
We cannot imagine the fear and dread such a brutal, dehumanizing event created throughout the area. For those who stayed, the trauma lingered for generations. For those, like my grandfather, who fled, it meant starting over in a new place, carrying both grief and hope. Many decades later, my extended family and I visited that very land he had fled. We listened to stories from residents whose parents and grandparents had stayed, and we understood more clearly why a generation of Black people left Abbeville behind.
This is why I stand with people like Yero, who also fled gross, institutional violence in Mauritania, where dark-skinned Africans remain oppressed by a system of slavery and ethnic persecution. Just as my grandfather had to make an impossible choice in order to live, Yero too seeks not wealth, but safety, dignity, and a future free from violence.
By supporting Yero’s legal defense fund, we stand in a long tradition of solidarity, recognizing that migration, whether across states or across oceans, has always been about survival, resilience, and the pursuit of freedom.
Please contribute today to Yero’s GoFundMe. Any amount helps. Donations go directly to his attorney’s office to cover legal fees. Here is the link: https://gofund.me/ea76afe0* |
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Artwork- Jacob Lawrence Migration Series |
I am unequivocally a descendant of migrants. My mother moved from the South to the North, to Philadelphia, as did my paternal grandfather. They were part of the Great Migration, the largest internal migration in U.S. history. Between 1916 and 1970, more than six million Black people left the South for the North, bringing with them their labor, their skills, and their hopes in exchange for the promise of a better life.
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Artwork- Jacob Lawrence Migration Series |
Just because this story unfolded within U.S. borders does not mean it is so different from the journeys of today’s Black immigrants, migrants, and asylum seekers like Yero. The common thread is clear: people on the move bring their labor and their desires as capital, with the simple dream of living with safety and dignity.
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Artwork- Jacob Lawrence Migration Series |
But unlike my family, who were able to plant new roots in Philadelphia, Yero now faces deportation after being suddenly detained at his routine ICE check-in. To fight for his freedom, he urgently needs help with legal fees, expert testimony, and translation services; costs that quickly rise into the thousands.
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Artwork- Jacob Lawrence Migration Series |
That is why I launched a GoFundMe campaign to support Yero’s legal defense. All funds go directly to his attorney’s office. Please join me in honoring our shared migration stories by ensuring Yero has the resources he needs to remain safe and free.
Here is the link: https://gofund.me/b5cfeb6c
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Artwork- Jacob Lawrence Migration Series |
*Artwork- The faces and journeys in Jacob Lawrence’s Migration Series mirror those of today’s migrants who carry their labor, their hopes, and their right to a safe home.
#StandWithYero #ImmigrantJustice #GreatMigration #CommunitySolidarity #VoicesOfHope
I’m so excited about my upcoming trip to New York to see Amy Sherald: American Sublime at the Whitney Museum of American Art. The exhibition closes on Sunday, August 10, 2025—so if you haven’t seen it yet, now’s the time!
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Portrait Artist Amy Sherald/Photo-Harry McNally |
This show feels especially important to catch in person since Sherald recently canceled her upcoming exhibition at the Smithsonian’s National Portrait Gallery, originally scheduled to open this fall in Washington, D.C. (Click) Read why here.
I’ve long admired Sherald’s body of creative work. Like many, I was introduced to her work when her portrait of First Lady Michelle Obama debuted in 2018. I was immediately taken by how Sherald captured Mrs. Obama’s softness and seemingly effortless elegance. When fine art prints of that portrait became available, I ordered one right away. Sojourner and I thoughtfully chose how it should be framed. We ultimately went with a simple red frame with just enough of a pop of color without overpowering the portrait itself. We hung it in Sojourner’s room with great care and joy.
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Michelle Obama Portrait |
As an aside, Sojourner had previously been welcomed to the White House by Michelle Obama; twice. First, as part of the National Student Poetry Program, and later when she was invited back to read alongside former U.S. Poet Laureate Billy Collins at a reception for a visiting dignitary. She was just a teenager then, and we were all so proud and thrilled. Sherald’s portrait of Mrs. Obama became, for us, a gateway into a deeper appreciation of her work and artistic voice.
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Sherald's Michelle Obama Print in Sojo's Room! |
Here in Philadelphia, we are especially proud of Sherald’s stunning five-story mural in Center City, featuring teenager Najee Spencer-Young. It’s a
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Sherald's Mural in Philadelphia. * Photo Matt Rourke |
striking celebration of young Black girl/womanhood and a powerful public work. Click here to Read the story behind the mural and how Spencer-Young became its subject.
Sherald, who is so stylish in her own right, portrays ordinary people with extraordinary presence. Her figures are rendered in rich shades of gray and brown, full of grace and authority. She brings forward a quiet power and dignity that insists on being seen.
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Sherald's portrait of Breonna Taylor |
If you’re planning to be in New York, don’t miss this rare opportunity to see American Sublime. Click: Here are the exhibition details.